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three key characteristics of phillippine literature according to cristobal zarco​

Sagot :

Answer:

Literature in other Philippine languages may be the hardest genre to appreciate but is often the most sentimentally or personally important. For the roughly two thirds of Filipinos who do not speak Tagalog as their native language, not many books are written in their languages. The situation varies depending on the language, as some regional languages are larger and have more reach than others. Visayan languages with more speakers, like Cebuano and Hiligaynon, are large enough to have their own TV and radio stations. But in general, most Philippine languages are in the shadow of English and Tagalog. Still, there are some important works that can be found in these other languages. The Bible has been translated into every major Philippine language – whether Tagalog, Cebuano, Ilocano, Pangasinense, Kapampangan, Waray, Hiligaynon, Kinaray-a, and others. YouTube is also a goldmine for finding songs, comedy skits, amateur films, and all manner of material in these languages. The value of this material is more educational than literary. Most Filipinos born abroad have a difficult enough time learning Tagalog, let alone the regional language that their parents might speak. But these materials have the potential to teach them how.

In summary, the Philippines has a very rich but fragmented literary tradition. Indeed, because of the number of languages in the islands, it has been difficult for a single book or novel to have an effect nationwide. Class also plays a role, as the educated elite and the masses rarely speak the same language. Regardless, over the past two centuries, our authors have created a literature distinctly our own. What remains for us to do today is to appreciate it and contribute to it. In the 21st century diaspora era, Filipinos have reached more parts of the globe than ever before.  Europe, North America, the Middle East, and the rest of Asia are familiar places in the mind of the OFW. With such global reach, the wealth of languages in our literary tradition should be strength, not a weakness. We have a rich literary tradition, one that should not be ignored, and one that we should contribute to.

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